"The Magic Flute"
Victoria Fagg
Professor Roundtree
Art 211-LN
25 September 2017
The
Magic Flute
The Magic Flute or Die Zauberflöte is an opera that was written in 1791 by Wolfgang Mozart (Schwarm).
On September 30th was the
first showing of the opera (Schwarm). This was Mozart’s last piece that he
created before passing away (Schwarm). I watched remade version of the opera, “The
Magic Flute” is a beautiful story about love and personal development. Tamino,
a price, is saved by the three ladies of the Queen of Night from a snake and is
told he needs to save her daughter, Pamina, from Sarasto the Priest of the Sun.
The Queen of the Night says if Tamino saves her daughter than he may have her
hand in marriage. Papageno, the bird man, who works for the Queen of the Night
goes with Tamino to find Pamina and love of his own. With the guide of the
magic flute and the silver bells the two men go off to try to find love. Eventually,
through many tests set up by Sarasto, Tamino shows that he gained the knowledge
and wisdom to be with Pamina and they both live happily together. Through the mise
en scene, technology, and socially challenging meaning, “The Magic Flute” is an
important opera of the 18th century. I enjoyed watching this opera,
just when you thought Tamino and Pamina would get their happy ending another obstacle
got in their way.
Throughout
the remade production that I watched, the mise en scene well executed. The costumes
were fantastic in the remade film. All the detail in every costume flowed together
and were cohesive with the set pieces. The transition between scenes flowed seamlessly.
While the performers were singing, people behind the scenes would move the
backdrops and change the scene. Using this technique distracts the audience from
the fact that pieces of the set are changing across the stage. I can only imagine
what the set pieces must looked in the original opera preformed but I bet they
were extravagant. Also, with the extravagance came the latest technology for
stage production. The scenes with the 3 sprits must have had advanced
technology. The remade version has much more advanced technology than back in
1791 but if in the first production they were able to lift then sprits in the
air this would be incredible advancement in technology at the time. I picture the
3 spirts in “The Magic Flute” to be like
the “Amedeus” video clip we watched in class where the queen of night is lifted
above the stage and emphasized (Amedus-Class Website). The mise en scene is
what brings the whole performance together to create a wonderful story. “The Magic
Flute” was important opera which advanced new techniques to the mise en scene.
This piece being the last opera Mozart composed makes this piece an important in
the history of opera.
Some
of the meaning behind “The Magic Flute” I feel would make people in the 18th
century have an unconformable feeling. The time that this opera was written was
during the European enlightenment (Schwarm). The opera is full of masonic symbolism
and enlightenment (Weinstock). People felt, they needed to grow and become
smarter to fulfil the meaning of their lives. This concept to me connects to a
recently modern thought, that people must love themselves before they can truly
love another. Papageno is not sure if love is worth risking everything, but
throughout the opera he finds what he truly wants and finds Papagena. During
this enlighten period, societal views changed drastically (Knowles). “The political
and social prerogatives of the church were also threatened by the
Enlightenment.” (Knowles). Tamino’s journey and tests of Sarasto were to make
him understand what it means to be a god, “When fortitude and righteousness anoint
the shining path of fame then is the Earth a heavenly realm when gods and
morals are the same.” (The Magic Flute (4/6)). Tamino had to become like a god to
be able to earn the right to have Pamina. People on earth becoming a god would
be strange concept to the viewers of the opera because god rules over all. Humans
becoming a god could also go against ranking of power since many kings of the
time were said to be appointed by god. The meaning of being a better person to
be able to love one truly made this story deeper than other classic love
stories. Instead of the prince saving the princess and falling in love right
away, “The Magic Flute” showed the depth in the love. This piece differently challenge the thinking
of the people if the time. I feel that this opera was one that questions
society and pushes it change for the better.
The
video game I would create would be called “The Journey of the Magic Flute and
Sliver Bells”. The game would be a story mode where players fallow the story of
“The Magic Flute” throughout the game. I get the inspiration from the game I
have at home, Disney Infinity. Where you can purchase and collect different character
to unlock their stories and fallow along. For example, in the video game there
would be Tamino or Papageno character pieces. Every character from the opera world
have a game piece and with each character would unlock a different scene. At
the beginning of the game, players would be able to design their own magic flute
and silver bells. This would give the players a sense is imagination and help relate
themselves to the story. Throughout the game, you would have to battle the same
obstacles that Tamino and Papageno faced in their journey to find love, using
ether Tamino’s magical flute or Papageno’s silver bells. To get to the next
levels, scenes, the players must fallow the musical notes in a certain amount
of time just as Tamino and Papageno found each other during the opera. Once you
have completed all the obstacles Tamino ends up saving Pamina and Papageno
finds Papagena.
“The
Magic Flute” has help technology and society
grow. Technology used in the stage production advances the misa en scene.
Without advancing technology the world would not be able to grow and become
better. Likewise, without the challenging what is wrong in society, people cannot
grow and learn. Mozart brings in the topic of enlightenment into a place where
it is not welcomed and causes the audiences to think about themselves and
society’s views. Through a video game, “The Journey of the Magic Flute and
Sliver Bells”, is a modern and interactive to know the opera “The Magic Flute”.
Sources:
The Magic
Flute (4/6): https://www.youtube.com/watch?v=5YK3JjXfLGc-
Videos used to watch The Magic Flute
Amedus-Class Website: http://art211.santiago.bz/?page_id=177#prettyPhoto-
Amudes Video under Links
Knowles,
Michael David, and Michael Frassetto. “The Age of Reformation and Counter- Reformation.” Encyclopædia Britannica,
Encyclopaedia
Britannica, Inc., 19 July 2017, https://www.britannica.com/topic/Roman-Catholicism/The-age-of-Reformation-and-Counter-Reformation#ref479525
Schwarm, Betsy, and Linda Cantoni. “The
Magic Flute” Encyclopædia Britannica, Encyclopaedia
Britannica, Inc., 4 January 2015, https://www.britannica.com/topic/The-Magic-Flute
Weinstock, Herbet. “From the ‘Reform’ to
Grand Opers.” Encyclopædia Britannica, Encyclopaedia
Britannica, Inc., 21 April 2017, https://www.britannica.com/art/opera- music/From-the-reform-to-grand-opera#ref395664
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